[This is an essay I did for Forbes Life magazine about popular-science books, including works by Stephen Jay Gould, Richard Dawkins and V S Ramachandran. Have written about some of these books at greater length earlier; see links at the bottom of the post]
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As a child I had an almost crippling dread of science, perpetuated largely by the textbooks shoved down our throats in school. Here were difficult-to-understand concepts expressed in dry, pedantic language; one got the sense of having to constantly dissect...not just crawly things in the biology lab, but ideas that seemed irrelevant to our everyday lives. The theories and explanations seemed calculated to take the joy out of things - it was a bit like being told you couldn’t play cricket in the park unless you knew the parabolic equation that described the arc of every delivery bowled by a spinner.
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As a child I had an almost crippling dread of science, perpetuated largely by the textbooks shoved down our throats in school. Here were difficult-to-understand concepts expressed in dry, pedantic language; one got the sense of having to constantly dissect...not just crawly things in the biology lab, but ideas that seemed irrelevant to our everyday lives. The theories and explanations seemed calculated to take the joy out of things - it was a bit like being told you couldn’t play cricket in the park unless you knew the parabolic equation that described the arc of every delivery bowled by a spinner.

These were not “science” books, narrowly defined, but they were refreshing alternatives to textbooks, made even more fun by the sense that Durrell took pleasure in the writing; that he had a creative side. (Later I learnt that these were, in fact, embellished memoirs with a few factual discrepancies.) And here arises another point: someone who develops an early interest in the arts might become wary of science because it seems to take morbid pleasure in deflating human pride; in reminding us that we are not the centre of all things, that our cultural achievements amount to a grain of sand in a desert a million times larger than the Sahara.
But where old worlds close, others open up. Much of the popular-science writing I’ve discovered as an adult has revealed pathways to new treasures. Take the work of Richard Dawkins, the very title of whose Unweaving the Rainbow is based on John Keats’s observation that science had destroyed the beauty of the rainbow by “explaining” its colours. Dawkins’s books are an elegant riposte to this idea. Most of his writing is in the field of evolutionary biology, and for a layman the best is perhaps the essay collection Climbing Mount Improbable – “Mount Improbable” being a metaphor to explain the illusion of design in living things. My favourite section is about the eye: with the aid of diagrams made by his wife, the actress-illustrator Lalla Ward, Dawkins explains how this most intricate of organs has evolved independently in various parts of the animal kingdom, from its most primitive forms in single-celled organisms billions of years ago (“...eyes so simple that they scarcely deserve to be recognized as eyes at all. It is better to say that the general body surface is slightly sensitive to light”) to the critical step that was the evolution of the lens. Elsewhere, there are analyses of how wings and spider webs came into existence, and descriptions of astonishing feats of mimickry in the insect world.

Similar views about interconnectedness and about the majesty of scientific “revelation” are echoed by Carl Sagan in Pale Blue Dot (the title is a reference to an ephemeral, vulnerable-looking Earth as seen in a galactic photograph taken by a spacecraft 3.7 billion miles away). In one terrific chapter, Sagan imagines an alien visitor orbiting our planet for the first time and trying to understand its topography and possible life presence. Simply by writing from the point of view of an outsider who has no prior knowledge about Earth, he shakes many of our cosy certainties. From space, he notes, it’s possible to observe the effects of such things as bovine flatulence, but “so much of our monumental architecture, our great engineering works, are efforts to care for one another, are wholly invisible. It’s a kind of parable.”
Eventually the alien (who is forbidden to come too close to Earth’s surface) concludes that the multi-coloured beings it sees moving in orderly formation along criss-crossing lines are the planet’s main life forms (though any human reader

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The American palaeontologist Stephen Jay Gould, a contemporary of Dawkins (with whom he had much-publicised differences of opinion on evolutionary theory specifics) and Sagan, was a dauntingly erudite man and some of his writing requires specialised knowledge. But for the beginning reader I recommend the anthology The Richness of Life: The Essential Stephen Jay Gould (edited by Paul McGarr and Steven Rose). The essays included here (under such subheads as “Autobiography” and “Racism, Scientific and Otherwise”) are a good representative sample of Gould’s writing career and principal concerns (including his famous love for baseball!), but his strengths are especially on view in two pieces about famous hoaxes.
The American palaeontologist Stephen Jay Gould, a contemporary of Dawkins (with whom he had much-publicised differences of opinion on evolutionary theory specifics) and Sagan, was a dauntingly erudite man and some of his writing requires specialised knowledge. But for the beginning reader I recommend the anthology The Richness of Life: The Essential Stephen Jay Gould (edited by Paul McGarr and Steven Rose). The essays included here (under such subheads as “Autobiography” and “Racism, Scientific and Otherwise”) are a good representative sample of Gould’s writing career and principal concerns (including his famous love for baseball!), but his strengths are especially on view in two pieces about famous hoaxes.

Great scientists like Gould can be intimidating figures if you first encounter them as middle-aged men expertly giving lectures on difficult subjects – and so, it can be comforting to read a book that traces an individual’s journey from the point where a subject started to fascinate him. The celebrated neurologist Oliver Sacks has written at length about his encounters with unusual medical conditions (notably in The Man Who Mistook His Wife for a Hat), but my favourite among his works involves a branch of science that he didn’t specialise in. His memoir Uncle Tungsten: Memories of a Chemical Boyhood is about a childhood interest that began with a visit to a lightbulb-manufacturing factory run by an uncle; here, little Oliver became obsessed with the metal tungsten, which alone seemed resistant to the corrosive effects of mercury. “Don’t worry,” his uncle said to him, “If I put this little bar of tungsten in the mercury, it would not be affected at all – it would be just as bright and shiny a million years from

The subject of one of Sacks’ best-known articles, “An Anthropologist on Mars”, was Temple Grandin – a woman who was diagnosed with autism as a child and went through a long struggle to understand how her condition made her different from most other people. Along the way, Grandin realised that her autism was “a way station on the road from animals to humans, which puts people like me in a perfect position to translate ‘animal talk’ into English”. She has done far-reaching work in the fields of animal behaviour and welfare, helping to revolutionise techniques used in the US livestock industry, and her book Animals in Translation provides many insights into the inner lives and perceptual skills of animals.
One of the book’s motifs is the inattentional blindness of “normal” people, whose brains convert details into words and abstractions – whereas autistic people (and animals) tend to be visual thinkers who process details. This helps explain the startling results of visual experiments such as “Gorillas in our Midst”, where 50 percent of the people watching a short video failed to see a man in a gorilla suit even though he was right in front of them. Or the scary flight-simulation tests where a significant percentage of trained pilots don’t see a plane parked on the runway they are about to land on. The gorilla project was executed by the experimental psychologists Daniel Simons and Christopher Chabris, and in their own book The Invisible Gorilla, they discuss the repercussions of the experiment, placing it in the context of real-life incidents such as the case of a policeman who failed to see his colleagues beating up an innocent man right in front of his eyes (he was chasing a criminal at the time).
Of course, such experiments are never foolproof – scientific assertions are always open to being revised in the light of fresh evidence. Inevitably, then, most of these books contain reminders that facts we take for granted today had not even yet been imagined in the world of a few hundred years ago. Matthew Cobb’s The Egg & Sperm Race – about the 16th and 17th century European biologists who gradually unraveled the secrets of birth – is a good example. The heroes of Cobb’s story (written mostly in the style of a compelling narrative) include men like Reinier de Graaf and Jan Swammerdam, who made pioneering contributions to the understanding of the human egg; and the Dutch draper Antoni Leeuwenhoek, who used a microscope to examine his own semen (less than “six beats of the pulse” after ejaculation), and discovered “a vast number of living animalcules...moving about with a snake-like motion of the tail”. Cobbs never lets us forget that these men worked in the face of enormous odds, including primitive technology and theological opposition. Even the most brilliant thinkers of the time genuinely believed that insects, and some small animals, came into being through “spontaneous generation”. There were proposed “recipes” for creating toads (they could be fashioned from the corpses of ducks placed on a dung heap!) and snakes (put a woman’s hair in a damp but sunny place).

[Some related posts: Charles Darwin the good novelist; Richard Dawkins on coincidences; Stephen Gould and optimum size; the egg-and-sperm race; climbing Mount Improbable]
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